Marrickville Contemporary Art Prize 08

One of my works gets short listed for this year Marrickville Contemporary Art Prize. The work is the final version of one of the Bangkok travel series.

4-21 September2008

The Vanishing Point Contemporary Art (ATVP)

565 King Street, Newtown

I’ll see you there.

Opening night and presentation

Thursday 11 September 2008, 6-9 pm

(For work not short listed for main category awards)

11-28 September 2008

Chrissie Cotter Gallery (CCG)

Pidcock Street, Camperdown (next to Camperdown Bowling Club)

Opening night

Friday 12 September 2008,6-9 pm

Out to Space Renovation

I guess I am like typical middle-class Australians who never stop finishing home renovation. It is quite a process when I have produced a lot of good photography and I want a decent web portfolio for it.

There are many choices to build a web portfolio upon. SlideShowPro is the best solution for me. With some knowledge of web editing languages, I can integrate the content with blog and random images script on the homepage. The clean white background from the previous version is still there. Comments are greatly appreciated.

The Echoes of Pain

One of the hi-lights of Biennale of Sydney on Cockatoo Island is Mike Parr video installations in one of the abandoned office building. It is a collection of 30 years of his artist career. He uses his body to explore pain and violence as a part of the human being. It is not pretty. It is a spook house that really hits you with reality. Once you enter inside, the stairs and hallway lead you to each room of presentation with brutal imageries and inescapable sound. And there is no way you can skip one. It is about our own nature of curiosity. You can still feel the irritation lingering in your soul when getting out.

Anyway, the building itself is like a time capsule. Traces of activities are left as it was. One who feels Mike Parr’s works are too much to handle can distract themselves and just enjoy the history.

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The Shave, Finally!

I have been editing this project for quite some time. It was a longish process in a sense of getting time to do it but very enjoyable. Finally, we have made it and are quite happy with it.

For the first time, Stilgherrian grew some beard and it was up to the point he could not stand it. When I had long hair, it was a big deal to had it cut. It is a kind of once-in-the-life-time thing. He would do this again. Therefore, here is something for this special occasion, The Shave.

The Boys

The second week of Video Construction class we get to see The Boys, a dark Australian film which I had never heard of it until I moved here and saw a TV commercial of the DVD few years ago. The reason is we have a special guest speaker, Stephen Sewell, Screenwriter of the movie.

The movie was a success in art house cinemas in the 90’s. This psychological suspense conveys domestic violence which in depth of men’s views. In the an ordinary Australian suburban, it is the first day out-of-jail of Brett (David Wenham) and he has got everyone home, mother (Lynette Curran), girlfriend (Toni Collette), the two brothers. But the party of this dysfunctional family only lasts for a day when the tensions get escalated into a brutal crime that night by the boys. The best part of the film is how it is structured and executed to build up the emotion of the characters until the end.

Having a chat with the writer after the screening gives us some creative insights, especially how it was adapted from the stage play. But one thing that interests me the most is that the funding government bodies both State and Federal, unlike Hollywood, taxpayers pay for Australian films to be made, rejected the script and would not give the money because of these vicious characters. Fortunately, the stubbornness of these newly-graduated filmmakers made it through and it paid of. Otherwise, we would not see the light of the dark of this film.

Brief History of Sampling

Here is a bit we got to know about history of sound sampling in Sound Construction 1 class which I found more interesting than how-to-use-ProTool session.

In 1948 Pierre Schaeffer experimented with sounds with magnetic tape loop and created the very first musique concrète, Études aux Chemins de Fer. Then he collaborate with Pierre Henry and produced ‘Symphonie pour un Homme Seul’ in 1950.

Phillip Pavilion

1958, Edgard Varèse created a sound scape for multimedia presentation, Poème électronique, for Le Corbusier in Phillip Pavillion in Brussels World Fair. I can only imagine with the sound piece to go with the images here but in multi-channels triggered in many points. That was 50 years ago and the foundation of electronic music today.

Cockatoo Island

Cathedral
Cathedral-like Turbine Hal

Biennale of Sydney this year is pretty interesting with the inclusion of Cockatoo Island as one of the venues. It was a prison, then turned into a navy base and finally closed down in 1992. The Sydney Harbour Federation Trust is now in charge of the biggest island in the harbour. Sydney is very good at converting its landscape into a playground and this place is suitable for it. It hosts some music events and parties as if we do not have enough in this city. However, the trip to the island by old timber ferry alone is worth enough to go out in the lovely afternoon.

This location is like a museum by itself. When it is put in as the backdrop of an art exhibition, the two things are competing to get my attention. I will put some thoughts about Biennale of Sydney, Revolution – Forms That Turn, later. Because I always have a hot for run-down and abandoned sites, here is the first bit of my journey to Cockatoo Island.

COFA Week 1: Gettin to Know You

I forgot to mention something on my last post. I was little puzzled when my student number for the Master degree at COFA, 3230590, was almost lined up with the student number I had, 3207610589, for undergraduate study at Thammasat Univeristy in Bangkok. First two and the last four digits go together. It lets me think sometime the universe is a strange place.

The first week back to school is about fitting yourself in the place. Unlike undergraduate, most of my class is in the evening. That means I and other classmates will be walking around the campus more in the night and this winter is very cold.

Typically, this week is the introductions the courses, the course coordinators, the lecturers and, ultimately, the assignments. By the look, it is going to be a hard work:

  • Sound Construction 1; 60-90 seconds sound piece and final open sound project.
  • Video Construction1; a short narrative film and a documentary project.
  • Art After Postmodernism; some kind of reports each week to prove that we read the given articles and a presentation on nominated contemporary artist.
  • Video Art; Loop Project and Installation Project.

Time management is crucial here. I need to juggle these dense courses with my own art and photography projects and getting a new income. Looking forward to it.