One of my definite to-do lists when I was back in Bangkok last December was to pay respect to the late King. The main reason wasn’t for the sake of myself paying the respect but to see the people and their activities around it.
Totally, it took about six hours that day to eventually get into the Grand Palace for ten minutes to pay the homage to HM’s body. Most of that time was just a wait in Sanam Luang, outside the Grand Palace. That would be enough for me to get a glimpse of the mourning environment.
These materials were actually pivotal for my creative works. They transitioned me from photography into making videos. It started from a short film about abandoned chairs, then ambient videos on a red sofa. When I got into COFA, broken TVs were used for a looped video assignment. And it concluded with video installation about torn mattresses.
No one would care how they got there or how they would end but they were so intriguing to me that I needed to exercise my imagination to tell their stories. Having explored them again reminded me how beauty could be discovered from discarded lives on the streets.
On another aspect, I was thinking of doing urban landscape comparison between my old photography and the latest visit. But there was no concrete plan for it and I enjoyed drifting in the streets and back lanes. However, I got a chance to do only one properly.
My creative time in Sydney was always around Newtown area. And this particular tunnel intrigued me the most and always got me something whether I walked through, or took time to examine it, or used it as a shooting location.
There’s a long history for me with it at least since 2002. It is a must for me to get there and drown myself in it.
It is one clear morning at Sydney Harbour. The sunrise is always energising. And it still amazes me that there are more of the Opera House scenes to be photographed.
There was an episode in my life that I managed graveyard shifts at a 24-hour restaurant in this tourist spot and finished at 7 am. Although it was an odd hour, I got a chance to absorb the tranquility of the harbour without the crowd. It was truly inspiring. Still is.
It was planned when I finished the contract job in DC by the end of March to be able to get to Bangkok by the time of Thai New Year celebration. And I party so as if there was no next year.
There have been some concerns, as always with decencies of water fight, the fatality of the road tolls, and this year, Southeast Asia is facing a severe drought. That would be that the killer, which bring the festival down.
Nonetheless, I go out all three days to the three major spots in Bangkok: Silom, Royal City Avenue, and Khao Sarn Road. I play with pano in iPhone that gives a jiggering effect when panning the phone around with lots of moving people. It portrays the wild scene nicely, I find. Click each image to see the details of deform humans. Continue reading Songkran Like No Next One→